| dc.contributor.author | Kaya, Kagan | |
| dc.date.accessioned | 2019-07-27T12:10:23Z | |
| dc.date.accessioned | 2019-07-28T09:44:26Z | |
| dc.date.available | 2019-07-27T12:10:23Z | |
| dc.date.available | 2019-07-28T09:44:26Z | |
| dc.date.issued | 2017 | |
| dc.identifier.issn | 1224-3086 | |
| dc.identifier.issn | 2457-7715 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.12418/7064 | |
| dc.description | WOS: 000461098600007 | en_US |
| dc.description.abstract | The paper analyses the premature warnings of British playwright, Alan Ayckbourn, who foresees that the modern family has been under the onslaught of technology. His dystopia, Henceforward... (1987), set in the flat of the high- tech addict protagonist, Jerome, tells one of the traditional family stories of the playwright. However, the paper focuses on Ayckbourn's neglected dramatic mission - that of securing the British family. | en_US |
| dc.language.iso | eng | en_US |
| dc.publisher | EDITURA DIACRITIC | en_US |
| dc.rights | info:eu-repo/semantics/openAccess | en_US |
| dc.subject | Alan Ayckbourn | en_US |
| dc.subject | British drama | en_US |
| dc.subject | dystopia | en_US |
| dc.subject | family | en_US |
| dc.subject | technology | en_US |
| dc.title | AYCKBOURN'S STAGE REACTION TO FAMILIES BURIED IN TECHNOLOGY | en_US |
| dc.type | article | en_US |
| dc.relation.journal | BRITISH AND AMERICAN STUDIES | en_US |
| dc.contributor.department | [Kaya, Kagan] Cumhuriyet Univ, British Drama Courses, Sivas, Turkey | en_US |
| dc.identifier.volume | 23 | en_US |
| dc.identifier.endpage | 88 | en_US |
| dc.identifier.startpage | 77 | en_US |
| dc.relation.publicationcategory | Makale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı | en_US |
